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Showing posts with label Death and Summerland. Show all posts
Showing posts with label Death and Summerland. Show all posts

Sunday, October 19, 2014

Charge of the Crone

There have been so many versions of the Charge of the Goddess. Doreen Valiente, Gerald Gardner, Aleister Crowley, and many others have written Charges of the Goddess and have adapted from each other to create several different versions. There are controversy on who are the true authors as they have been copied and altered so many times. I cannot be certain on the authorship of the different versions. I do not have access to the books so all I have is what is on the internet and unfortunately the internet is not always correct. A couple of sites credits Jim Garrison for the Charge of the Crone. 

Look at the different version and pick the one that feels the best for you. In each version there is a difference but the meaning is still the same.

 
Charge of the Crone 

I am the Queen of magick and the dark of the Moon, hidden in the deepest night. I am the mystery of the Otherwolds and the fear that coils about your heart in the times of you trials.

I am the soul of nature that gives form to the universe; it is I who awaits you at the end of the spiral dance.

Most ancient among gods and mortals, let my worship be within the heart that has truly tasted life, for behold all acts of magick and art are my pleasure and my greatest ritual is love itself. Therefore let there be beauty in your strength, compassion in your wrath, power in your humility, and discipline balanced through mirth and reverence.

You who seek to remove my veil and behold my true face, know that all your questing and efforts are for nothing, and all your lust and desires shall avail you not at all.

For unless you know my mystery, look wherever you will, it will elude you, for it is within you and nowhere else. For behold, I have ever been with you, from the very beginning, the comforting hand that nurtured you in the dawn of life, and the loving embrace that awaits you at the end of each life, for I am that which is attained at the end of the dance, and I am the womb of new beginnings, as yet unimagined and unknown.
 
 
 
Charge of the Crone Hecate

I am the Queen of Magick, hidden in the deepest night.
I am the mystery of the other world and the fear that coils about your heart in the times of your trial. I am the soul of nature that gives form to the Universe.
My torches light the way for enlightenment and illumination.
My sickle of death cuts away things that are dead & no longer needed
It is I who awaits you at the end of your spiral dance.
I am She who has no secrets but a thousand secrets.
I am the aged Old Crone of Darkness who face of death portends life anew and filled with Luna's secrets.
All acts of magick and mysteries are my rituals and
My greatest ritual is love itself.
You who seek to remove My veil and know My true face,
Know that all your questing and efforts are for not,
Until thy own face beholds and knows the mysteries of they own self.
For you to truly know Me, you must look in your own heart and know and accept thy self.
For those of you who call upon Me and My powers for magick, beware!
For My magick is swift and without regards to the consequences.
Those that know Me shall glide safely through troubles,
For it is My dark cloak of protection that is wrapped about you.
Close your eyes My child and call to me, for I am there,
within your Darkness. 

Monday, October 6, 2014

Speaking with a Dead at Samhain

I came upon this article at The Wiccan Pagan Times. The have tons of articles that are really great. So visit them at http://www.twpt.com/.

Speaking with the Dead at Samhain
by Boudica

The time is in the mid-1800s. The place is a “parlor” where a medium has a client and some invited friends of the client. They are seated around a table, the room is lit with candles, and they are all holding hands in a circle. 

What happens next is the stuff that spooky movies are made of. The medium contacts her “guide”. This could be anything from a dead relative of hers on the “other side” to a Guardian Angel or Ascended Master. She asks the guide to locate the husband or brother or son of the client. 

After a few moments of silence, the medium falls into a trance. Horns sound, disembodied spirits fly around the room, rapping answers to the questions of the client or the friends – one rap for yes, two for no. Maybe even the spirit speaks through the medium. The table shakes and moves and everyone gets excited and breathless as information from the spirit is passed on to the party present through the medium.
That’s how many of us think this all began. But it has been going on for centuries. From the local “seer” in villages and town, to the shaman in the caves, speaking with the dead is nothing new. There are many different ways of doing it, but – what are we really doing? 

For those of us who have this ability, and there are many, it can be just on a personal level, where we are in contact with someone who was close to us. Some of us have the ability to speak with any spirit that needs to talk. 

But what about all this “theatre”? Is this really necessary? Let’s examine what really happens, and how this all comes about.   

At the time of the scene above, spiritualism and mediums were relatively “new” to the general public. And at that time, theatre was a very popular means of entertainment. Combining both was a stroke of genius, if you will, that enabled the medium to attract a lot of attention, and lots of clients. This does not mean the information was not accurate, it just means that showmanship was king at that time, and many mediums used it. 

We see something of this repeated today, though not as spectacular as it was then, when we look at TV shows or books that describe a medium’s personal experiences. Look at John Edwards, or Sylvia Brown. While the moving tables and floating spirits are not included in the package, we still see the showmanship or theatre being provided as a platform for the medium. 

Mediums have been around for a long time. There are even centers where mediums congregate, like Lilly Dale, New York, or Cassadaga in Florida. There are other smaller communities throughout the United States. These centers provide support for the medium community and offer a place where their services can be sought without issues from local government. 

The theatre issue, that which attracted much attention to the mediums, ended up being the issue that caused them the most harm and prompted them to create their own communities. It was called a sham, a fraud, and in many areas mediums were outlawed, fined and imprisoned. The followers were convinced by the genuine article, but not all mediums were real, and the theatre helped cover the fraud in many cases. A few con artists ruined it for the many real practitioners. 

But why all the theatre? Well, to be honest, much of what takes place between a medium and the spirit is not seen. Most of it goes on inside the head of the medium. And how do you convince the client that what you are telling them is a real connection with their departed loved one. Besides, many of the clients wanted the show. As I said, entertainment was king, and a good show attracted a lot of attention and seemed to add to the validation of the experience for the client.

If someone sat across a table from you and nonchalantly told you your Uncle Ed was there and that he wanted you and his wife to know he was at peace - would you believe them? Probably not without something tangible. Not without something that truly convinced you that they were there. After all, if you could speak with Uncle Ed yourself, why would you bother to go to a medium? 

So, we have the theatre to convince the client that the message is genuine. In the cases of real mediums, there was information that was offered that solidly convinced the client that the medium was indeed connected with their loved one. All the theatre aside, when a very personal and never shared event comes from the medium to the client that only the departed person and the client would know, this is very convincing to the client and the reason the client trusted the medium to begin with. At this point, the theatre is a side show, an extra. The information is the key. 

You see this with John Edwards and Sylvia Brown. They share with the client right off something that only the client would know. A personal item that only the client knew came from the departed, or an event that they never shared with anyone. Or a very personal moment from both their lives. The show, and the information, is what convinced the public at that time that mediums were real, and gave the good medium a solid following. 
As mediums, our own experiences vary. Some of us see or hear letters or words. Some of us see pictures. The spirits we deal with are sometimes very focused on one particular item or event, and it is hard to get any further information. Or they are unfocused and scattered, and it is again difficult to understand what they want.

 We do not “see” as others see things. We get pictures in our minds, or we hear whispers in our heads that give us information that we are supposed to pass on. Our jobs as medium is to focus the spirit, get the information, clarify it with the client, and help the client to understand what it is the spirit is trying to get across to them. 

Sometimes the message is very generic. That is because the spirit is at peace; there are no issues, and the spirit is more concerned with moving on. The client needs to let go, allow this spirit to move to the next world. 

Sometimes there are issues that only the client has; this does not concern the spirit and the dearly departed is not going to deal with the clients issues. Again, we will have little information to pass on to the client. And we need to get across to the client that the spirit has no interest in what the client is concerned with. These are the hardest types of sessions and usually the client goes away discouraged or unhappy with the connection. There is really nothing we can do about this.

The good connections are when the spirit and the client are both on the same page, that their concerns are mutual and that the spirit is willing to talk and the client is receptive to the answers the medium channels from the spirit to the client. Sometimes the focus of the client is not the same as the spirit, and the exchange can be fuzzy, as the client is looking for some specific information and the spirit is concerned with something else. These connections take time to work out, and can be difficult for both the client and the medium, but workable. 

Sometimes it is all for nothing. The spirit is gone, unconcerned with the client or their concerns, and there is no communication. 

The use of “guides” in this case is very common and useful. The guide, the connection the medium has with the world beyond the veil, can help clarify to the medium what is going on. Uncle Ed has nothing to say, there is nothing you can do to entice him to come chat with you. We are honest with the client and tell them this. There is nothing more we can do. 

There are no records that I am aware of that suggest any kind of violence done by the spirits to the mediums who channel them. While it may drain the energy from some mediums, actual harm done is not recorded and in my own experiences, unheard of. Fear that spirits may do harm are unfounded. If you are really concerned, take precautions by protecting the area you work in, but I find it unnecessary. Again, it is so much “movie stuff” in my opinion. 

But spirits do tend to be exactly like what they were in life. If Uncle Ed was a well known joker when he was alive, he is still a joker in death. And if the client is aware that Uncle Ed was a compulsive liar in life, then the client should be advised that nothing has changed with Uncle Ed, and that death does not make Uncle Ed any less of a liar.   

This leads us to what the spirits may say. Is everything going to be truths? Are the spirits always going to be polite and proper? No, not at all. And we, as mediums, come across an ethical issue. Do we tell Aunt Sally that the spirit of Uncle Ed just gave you a picture of a pig while indicating Aunt Sally? Well, no, I would never do that. But Uncle Ed may also indicate another man, and that Aunt Sally was attached to this other man somehow. I’ve had this happen, and it turned out that the wife had an affair with the other man, that the deceased had found out about while alive and was mad at her for it, but he never said anything to her. His image to me of a “pig” I kept to myself, but the mention of the affair confirmed to the wife that I was indeed in touch with the deceased, and it made the whole session a lot easier to handle. It was the issue that needed to be resolved, and the session did this for both the client and the spirit. The need to mention the image of the pig was not necessary, and I left it out. I mentioned the deceased was displeased with the event, but never mentioned anything else. Ethical? In my opinion, yes, and the mention would have upset the session even further. What if the information from the deceased had been wrong, or a lie or a mistake on the part of the deceased? What purpose would it serve in mentioning it?

Each of us will need to decide on what information we will pass on based on the information and how upset the client is or can become. It was an upsetting situation; I did not need to complicate the matter any further. It is a matter of personal choice. 

At this time of year, coming up on Samhain, the veil between the worlds is thin, and we may experience some kind of connection with the spirits of our departed loved ones. I think this cycle of planetary alignments is making the veils even thinner, and some of us who might not have experienced this kind of connection before are finding we are on new ground. Some of us will never get beyond a simple connection with our own loved ones. That is probably all we will ever need in our own personal experience. I feel it should be cherished and enjoyed. It is a gift and if you are given it, you are indeed fortunate.

The experiences, however, will be the same for you as it is for those of us who connect with more than just our own loved ones. We will know the connection is real by the information that we receive from the spirits we connect with. The need for theatrics in this day and age is not really necessary and should not be expected or offered. But the validation of the experience, usually by information we receive from the deceased, will be the key to knowing the connection has been made and is real. We don’t need the tipping tables or the floating spirits anymore. I think we have pretty much grown up from that and can understand without all the theatrics. 

 If you encounter an experience such as this at this time of year, relax. It is a learning experience for you, and it will help to resolve some issues you may have had with the deceased and in many cases some issues you may not have even known. This is a time to resolve these issues and make peace with your departed loved ones, and yourself. 
Take some time to remember those who you loved that have passed beyond the veil, do not be afraid to make a connection with them, and remember them fondly, because that is what this time of year is all about. And if you hear some tapping in response to your questions… 
 
Boudica 
 
 
(note: I saw the peeps and had to share. It took me a while to stop laughing.)

Sunday, April 6, 2014

April 6, Plan your Epitaph Day

 
According many sites Plan your Epitaph Day is April 6th and November 2nd. As November 1st is part of the Day of the Dead and Mexico created Plan you Epitaph Day. April 6th day was US born but there is not enough information on its creation. No matter what day it is, it is good to make you plans. On the serious side, are you sure that whom ever is going to take care of you after you are gone can be trusted. Will they agree to your wishes?



My mother and I do not want the traditional funeral and view. We do not want to be put on displace. We both want to be cremated and we want a celebration of our lives. Mom wants her epitaph to read "I came, I conquered, I left."


I watched a great short lived show Wonderfalls. Jaye is a graduate of Brown University but decides to become a store clerk and live in a trailer park. Her mother wrote a new book and everyone got a blurb for the dust cover. First time around all she got was one sentence but on the second publishing she got to write her own. Jay wrote "Daughter Jaye lives in Niagara Falls. Her blurb and life are a work in progress."

I like that quote so I want my epitaph to be, "My life was a work in progress as so will be my afterlife."

Here are some famous epitaphs:

"The best is yet to come." Frank Sinatra
"This is the last of Earth! I am content!" John Quincy Adams (1767 - 1848)
"A tomb now suffices him for whom the world was not enough" Alexander the Great
"Well this was fun, let's dit again sometime." Quniaron Bellthing (1930-2004)
"That's all, folks!" Mel Blanc (Porky Pig voice)
"Don't Try" Charles Bukowski
"Here lies a man whknew how tenlist the service of better men than himself." Andrew Carnegie
"Hey Ram" (Translated "Oh, God") Mahatma Gandhi
"Free at last. Free at last. Thank God Almighty I'm Free At Last." Martin Luther King, Jr.
"She did it the hard way" Bette Davis
"Nothing's So Sacred As Honor And Nothing's So Loyal As Love" Wyatt Earp
"I had a lover's quarrel with the world" Robert Frost
"Cast a cold eye On life, on death. Horseman, pass by!" W. B. Yeats 
"Truth to your own spirit" Jim Morrison
"Curiosity did not kill this cat." Studs Terkel
"I told you so, you damned fools." H. G. Wells
"Against you I will fling myself unvanquished and unyielding, O Death!" Virginia Woolf

"I am ready to meet my Maker. Whether my Maker is prepared for the great ordeal of meeting me is another matter." Winston Churchill

"Call Me Trimtab" (A trimtab is the smallest part of a rudder for a ship or airplane, and controlls the direction of the craft. He was probably alluding
how much power one individual can have in the world.) R. Buckminster Fuller

"Workers of all lands unite. The philosophers have only interpreted the world in various ways; the point is to change it." Karl Marx